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    <loc>https://waterjournal.co/stories/seaweed</loc>
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    <lastmod>2019-04-24</lastmod>
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      <image:title>Stories - Seaweed - Seaweed</image:title>
      <image:caption>Art Photography &amp; words by Naomi Hill The first time I encounter seaweed is in the hand of my best friend’s mother. She offers me a piece. I taste it while my friend watches carefully for signs of rejection. Laver is salty and smells strange. I don’t know if I like it or not. This is while I’m still a firm believer in lakes and clarity. I spend my childhood summers on Georgian Bay, the northeastern arm of Lake Huron. The water is clear and calm. We examine schools of minnows and pink, disgruntled crayfish. I can see the lake floor. Origin: 1. (also origins) The point or place where something begins, arises, or is derived. 2. A fixed point from which coordinates are measured.</image:caption>
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      <image:title>Stories - Seaweed</image:title>
      <image:caption>Translucent: 1. Transmitting and diffusing light so that objects beyond cannot be seen clearly. 2. Free from disguise or falseness. Along the horizon, a ship glides out of view. Cruise or cargo? A child crouches over a tidal pool and takes inventory. I walk toward the sea, food from the hand of my friend’s mother and a garden moving with the current against my skin.</image:caption>
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      <image:title>Stories - Seaweed</image:title>
      <image:caption>Perception: 1. Awareness of something through the senses. 2. The way in which something is regarded, understood, or interpreted. The summer that I turn 12 my family drives across Canada until we reach the East Coast. The wind is cold, and we shiver into the Atlantic. One hundred silken leaves wind around my calves, a garden moving with the current against my skin. I yank my legs away. My sisters swim farther out. For the rest of our trip I watch from the shore. Once, we come across a small lake full of the soft, waving stems. At home my mother has planted long, ordered rows of vegetables next to our house. It’s my job to pull the weeds</image:caption>
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      <image:caption>Delicate: 1. Very fine in texture or structure; of intricate workmanship or quality. 2. Easily broken or damaged; fragile. The ascophyllum nodosum has dried to a perfect black matte; featherlight iron. I balance the warm, smooth sculpture on my open palm. This is when I’ve moved to Nova Scotia with my husband and our two children. Everything I hold is fragile. My son is unwell. I carry the seaweed home and place it in the open mouth of a small white plaster horse hanging on the blue wall. It’s odd to hang seaweed on a wall, in the mouth of a plaster horse, unless you’re in love with the tangled shape of it. Love conquers odd. My son grows strong.</image:caption>
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    <loc>https://waterjournal.co/stories/the-oaken-yarn</loc>
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    <lastmod>2019-04-24</lastmod>
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      <image:title>Stories - The Oaken Yarn</image:title>
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      <image:title>Stories - The Oaken Yarn</image:title>
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      <image:title>Stories - The Oaken Yarn</image:title>
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      <image:caption>Film, Travel Photography, film and words by James Aiken Featured in Volume 3° I've always thought that life is punctuated by the big decisions you make. That when you look its the times when you have given everything to something you love that stand out as waypoints. The Oaken Yarn is one such moment for me. It represents a decision to pursue the parts of life that truly inspire me, to make irresponsible decisions and risk everything on an idea. There has never been a fixed destination or goal, but I hope to immerse myself in the truly wild places and where possible convey that sense of wonder through storytelling and film-making</image:caption>
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    <loc>https://waterjournal.co/stories/natures-inherent-sucess</loc>
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    <lastmod>2019-04-24</lastmod>
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      <image:title>Stories - Nature's Inherent Sucess - Nature's Inherent Sucess</image:title>
      <image:caption>Film, Art Film by Matthew Johnson Artwork by Nicole Patel Featured in Volume 3° A short film by Matthew Johnson documenting the process of Spirulina works by Nicole Patel, accompanied by artist's original score. Spirulina works are available to buy here.</image:caption>
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    <lastmod>2019-04-24</lastmod>
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      <image:title>Stories - 5pm, Venice Beach Pier</image:title>
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      <image:title>Stories - 5pm, Venice Beach Pier</image:title>
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      <image:caption>Travel Photography &amp; words by Toby Mitchell Featured in Volume 1° Cool mid January air ran through my fingers as I walked to the end of Venice Beach Pier. Contentment consumed my soul as what I had imagined for years and reality aligned for the first time; The Californian dream was no longer a distant hope of adventure, but my present, right in front of me. The pastel sunset hazed the Malibu mountains as the soundscape of rollerblades and surfing brought peace to my world. A rare moment of silence. My battle to put down the camera was no longer a struggle. All I wanted was to enjoy what was before me; breathe in and be still.</image:caption>
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    <loc>https://waterjournal.co/stories/alaska</loc>
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    <lastmod>2019-04-14</lastmod>
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      <image:caption>Travel Photography by Nirit Gur Karby Featured in Volume 3°</image:caption>
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    <loc>https://waterjournal.co/stories/sula</loc>
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    <lastmod>2019-04-24</lastmod>
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      <image:caption>Travel Photography by Axel Sigurðarson Featured in Volume 3°</image:caption>
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    <loc>https://waterjournal.co/stories/hidden-figures</loc>
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    <lastmod>2019-03-14</lastmod>
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      <image:caption>Words by Rebecca Ley Photography by Micaela Parente Featured in Volume 3°</image:caption>
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    <loc>https://waterjournal.co/stories/porto</loc>
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    <lastmod>2019-04-14</lastmod>
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      <image:title>Stories - Porto - Porto</image:title>
      <image:caption>Travel Photography by Toby Mitchell Featured in Volume 3° A progressive collection of photos taken to expose the essence of one of three unique locations in Portugal. From the hustle of Lisbon, to hidden caves and natural beauty in the quiet Portuguese town of Sintra and finally the historic coastal city of Porto.</image:caption>
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    <loc>https://waterjournal.co/stories/sintra</loc>
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    <lastmod>2019-04-24</lastmod>
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      <image:title>Stories - Sintra - Sintra</image:title>
      <image:caption>Travel Photography by Toby Mitchell Featured in Volume 3° A progressive collection of photos taken to expose the essence of one of three unique locations in Portugal. From the hustle of Lisbon, to hidden caves and natural beauty in the quiet Portuguese town of Sintra and finally the historic coastal city of Porto.</image:caption>
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    <loc>https://waterjournal.co/stories/lisbon</loc>
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    <lastmod>2019-04-24</lastmod>
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      <image:title>Stories - Lisbon</image:title>
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      <image:title>Stories - Lisbon - Lisbon</image:title>
      <image:caption>Travel Photography by Toby Mitchell Featured in Volume 3° A progressive collection of photos taken to expose the essence of one of three unique locations in Portugal. From the hustle of Lisbon, to hidden caves and natural beauty in the quiet Portuguese town of Sintra and finally the historic coastal city of Porto.</image:caption>
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    <loc>https://waterjournal.co/stories/walk-along-the-beach</loc>
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    <lastmod>2019-06-19</lastmod>
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      <image:caption>Film, Travel First light in Brighton captured by James Miller</image:caption>
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    <loc>https://waterjournal.co/stories/lunar</loc>
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    <lastmod>2019-04-14</lastmod>
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      <image:title>Stories - Lunar - Lunar</image:title>
      <image:caption>Travel Photography by Kim Høltermand Featured in Volume 3°</image:caption>
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      <image:title>Stories - Lunar</image:title>
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      <image:title>Stories - Lunar</image:title>
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  <url>
    <loc>https://waterjournal.co/stories/blue-basin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1543588997252-QP8USZCE9M8Y8CIUZA4E/Blue-Basin_012.jpg</image:loc>
      <image:title>Stories - Blue Basin - Blue Basin</image:title>
      <image:caption>Travel Photography and words by David Alvarado Big cities were once a place that harbored an energy unparalleled by what I could find in the developed world. Motion, everything was in constant motion. Even the inanimate came to life as millions of people raced through the grid from one place to the next. Who could rest when there are empires to build? After a few years in New York City, I was left emotionally and mentally drained. But in 2014, an escape was discovered in the back of a coach class cabin on a flight to the Pacific Northwest.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1543588878069-HP1OQJ00QUGLWHIGQASL/Blue-Basin_003.jpg</image:loc>
      <image:title>Stories - Blue Basin</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1543589048496-FKJ6HGX8Z54PXE6CFWIM/Blue-Basin_008.jpg</image:loc>
      <image:title>Stories - Blue Basin</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1543588874905-C9A82ZIWZ760NDD56SE1/Blue-Basin_002.jpg</image:loc>
      <image:title>Stories - Blue Basin</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1543589232666-0XXTG5YJIHMILEB6TDBU/Blue-Basin_011.jpg</image:loc>
      <image:title>Stories - Blue Basin</image:title>
      <image:caption>Not much time had passed before I threw myself into the elements. Or I should say, before the elements took hold of me. Over the years I became accustomed to the drought that consumed my homeland in the Southwest. Gradients of golden hills and washed out skies quickly transformed into hues of mossy greens and deep turquoise. The overabundance of water flowed everywhere and became the life source for the work I would create. It is water’s unrelenting energy and meditative qualities that compelled me toward finding a similar harmony within my personal and creative lives. Not too long after the new year, I found myself isolated in the deserts of eastern Oregon. In it’s own reclusion is Blue Basin; a site that calls wanderers like myself out of their comfort zones and into prehistoric landscapes far-removed from civilization. There lie a mixture of colorful strata and a more complex geology. To be in the presence of towering celadonite giants is rather bizarre. Though the basin was formed millions of years ago by a flow of highly pressurized water forcing its way through ash beds of alkaline, that energy still remains. A scientist I am not, but to appreciate such a spectacle doesn’t require the occupation. Perhaps it’s the absence of water that separates Blue Basin from other monuments found throughout the Pacific Northwest. Or so I thought. Out from under a barren desert floor, a stream of pastel waters penetrated through the surface; a testament to the resiliency of nature. That life source, indeed, will come through in the most unlikely of places.</image:caption>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/draumur</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-24</lastmod>
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      <image:title>Stories - Draumur</image:title>
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      <image:title>Stories - Draumur</image:title>
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      <image:title>Stories - Draumur - Draumur</image:title>
      <image:caption>(droy-myr, Icelandic for dream) Photography &amp; words by Mitchell Hollander I would have never thought, in a million years, that I would travel to such a mystical place like Iceland. As soon as our flight landed, Tobias (my fiancé) and I got right on the road. Ecstatic and eager to explore, we headed straight to the city of Reykjavik. We hoped to find some breakfast and some much-needed coffee. As we started exploring the city, hail began to fall, and the winds picked up. Eventually, we realized that a storm was brewing, and we would be unable to proceed with our plans for the day. Luckily we planned to have an extra day for rest and recuperation, so we decided to relax and catch up on some sleep that evening.</image:caption>
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      <image:title>Stories - Draumur</image:title>
      <image:caption>The next morning, we were fully rested and anxious to get back on the road. Our next destination was the small town of Vik, along the southern coast of Iceland. As we drove along the Ring Road and took in the beautiful landscape, we encountered Icelandic horses and sheep. At this point, we decided to pull over and take a few photos. We felt like we were in another world. Seeing the horses graze below snow covered mountains and sheep scurry over hill tops with waterfalls in the distance was other worldly. Over the course of our trip, we stuck mainly to the southern coast and made one additional dash towards the northwest. Essentially pulling over at every waterfall, beach, cliff side, architecturally interesting looking house, and every lagoon that we came across. It also helped that we made a Google Map with all the locations we planned to visit on it. The whole trip was exhausting but worth every trek. As our adventure came to an end, we packed up our things, said our farewells, and boarded the plane home. The ride home gave us time to reflect on our journey, contemplating through photographs we've taken and the memories we've made. In the moment, our whole adventure felt like it could have lasted an eternity but as we got back to our everyday lives and routines, it felt like it could have been a dream.</image:caption>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/iceland</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-14</lastmod>
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      <image:title>Stories - Iceland</image:title>
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      <image:title>Stories - Iceland - Iceland</image:title>
      <image:caption>Travel Photography &amp; words by Eduardo Cerruti &amp; Stephanie Draime Sitting in our rented Land Rover Defender, I gaze around in awe as we drive through Iceland’s dramatic landscapes. As we continue to follow the road, the feeling of remoteness is present and all that is living are the scattered white dots painted across the green mountains, also known as sheep. Without an itinerary, we parked our home (car) at campsites or off the road and disappeared into nature. In this fast-paced world, Iceland’s bare nature and vast stretch allow for a slow living experience. Waking up to the sunrise and a cup of strong black coffee, we continued around the ring road, drifting off then and there, to find new sceneries and mysterious lands all around.</image:caption>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/spirit-medicine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-24</lastmod>
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      <image:title>Stories - Spirit Medicine</image:title>
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      <image:title>Stories - Spirit Medicine</image:title>
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      <image:title>Stories - Spirit Medicine</image:title>
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      <image:title>Stories - Spirit Medicine</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1544528313807-3873RDJRCMUHE7I130UQ/Cydney+Ceremony_021+copy.jpg</image:loc>
      <image:title>Stories - Spirit Medicine - Spirit Medicine</image:title>
      <image:caption>Travel Photography by David Alvarado Words by Cydney French She is deeper than a dream. Her voice silken, soaking my mind with a Mother’s wisdom. The rhythm of Her movement stills the unrest within, born from Today. Whispers of gentle lapping smooth the edges where She and Earth connect. Her lessons...once learned, are never forgotten. All of life is in her grip. With all that power, She remains unattached. The ultimate example of letting go. Flow. Shaping all that is here, touching every single piece of this reality. Molding us all, one drop at a time, before and beyond time.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1544528097959-9PKE4CEN45HQ1897Z3DU/Cydney+Ceremony_033+copy.jpg</image:loc>
      <image:title>Stories - Spirit Medicine</image:title>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/underneath-our-tree</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1545492920138-DPYCEPDGOQWM4Z35DQP9/water+journal</image:loc>
      <image:title>Stories - Underneath our tree…</image:title>
      <image:caption>Nourish Superpowder by BEAR Containing 100% certified organic and biodynamic green Australian Lady Finger bananas, one of the world’s richest sources of Resistant Starch, NOURISH helps to maintain healthy blood glucose levels and a healthy balance of gut microbiome important for general wellbeing, energy production and glowing skin.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1545508865864-URULEXYAI1G8ONUFTIN9/water+journal</image:loc>
      <image:title>Stories - Underneath our tree…</image:title>
      <image:caption>Hakudo Rain Incense by AOIRO The precious incense made only with the purest fragrant woods in Awaji Island offers a sacred moment to rejuvenate the mind and spirit. It recreates the ritual-like and timeless quality of air being charged with a spirit of rain.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1545512401267-GAPRHGB0MCIGDZEEW2OD/water+journal</image:loc>
      <image:title>Stories - Underneath our tree…</image:title>
      <image:caption>Öresund by Toby Mitchell The latest instalment in ‘The Weekender’ Series by photographer Toby Mitchell, exploring picturesque and enchanting cities of Copenhagen in Denmark and Malmö in Sweden, connected by the now iconic Öresund bridge. The box set is a mixture of iconic landmarks, interesting streets, trendy as well as less well-known places to demonstrate the spirit of this city through Toby’s enigmatic photography.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1545512512047-ANRVDDD5KB4GENGPS16Z/water+journal</image:loc>
      <image:title>Stories - Underneath our tree… - Underneath our tree…</image:title>
      <image:caption>Besides the most important gift of kindness, here is a list of wonderful creations from our talented contributors: Haeckels Editions / Thalassophile The true smell of the ocean, generated through a bacteria producing gas called Dimethyl Sulfide, or DMS, in places where plankton and marine plants are breaking down. It’s an unusual vegetable like experience but instantly recognisable, you can now carry the ocean in your pocket. Every day, wherever you are.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1545507249472-EKL5HZRCU4PQFJMYG3MN/water+journal</image:loc>
      <image:title>Stories - Underneath our tree…</image:title>
      <image:caption>T Series Watches by Instrmnt The T-Series collection is inspired by the colour palette and materials popular in interior and architectural design during the modernist period. Subtle textured leather straps and matt black dials have been paired with machined steel casings in classic silver and rose gold tones.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1545510041616-6X0KDXVC7OHT2GZACPQW/water+journal</image:loc>
      <image:title>Stories - Underneath our tree…</image:title>
      <image:caption>Vessels by PIAULE Two household essentials well suited to any role. A pair of characters prepared for the limelight. Composed in pure porcelain, which appears delicate but isn’t. With dramatic raw exteriors and gently glazed interiors.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1545508649060-LQ7XESZQ7A9NJIOZ9743/water+journal</image:loc>
      <image:title>Stories - Underneath our tree…</image:title>
      <image:caption>Brewing Kit by Matchæologist A modern style matcha brewing Kit combines signature artisanal grade matcha by Matchæologist with a carefully selected assortment of handcrafted matcha-ware products curated and designed to balance traditional ceremonial values with contemporary functionality.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1545492730022-3TXKVEFTDK2HF3UBL0U9/water+journal</image:loc>
      <image:title>Stories - Underneath our tree… - Art Relief series, SHAPES 1-6 by July Adrichem.</image:title>
      <image:caption>Art Relief series, SHAPES 1-6 by July Adrichem The shapes are spread over six works, all framed in handmade natural oak frames. The reliefs are made with handmade molds and will be produced on a limited scale. Shapes 1-6 is created as one work of Art, but can also be purchased per piece. Frame size: 30 x 35 cm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1545512544327-9ZX1Y3OADN4DH8M8TMQ8/water+journal</image:loc>
      <image:title>Stories - Underneath our tree…</image:title>
      <image:caption>Petit basket Bag by Tiane Tenui Each 'Tiane Tenui bag is a true representation of the philosophy of the brand — made from leather that hasn’t been coated with synthetic top finishes or unnecessary industrial protection so that the true nature of the piece will always be visible.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1545519142353-CJK5XDTW62TA43NB4Q5N/water%2Bjournal</image:loc>
      <image:title>Stories - Underneath our tree…</image:title>
      <image:caption>Bincho Teapot by Sort Of Coal Heat-resistant glass teapot with two sticks of Kishu Binchotan. The water used to brew tea has a real effect on its taste. White Charcoal naturally purifies water by adsorbing chlorine and adding minerals to it; softening its taste and turning it into mineral water. In collaboration with Matias Moellenbach, Sort Of Coal combined the ancient Japanese tradition of Kishu Binchotan with elements of contemporary Danish design.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1545510591495-CDA7Q8XCCYE8PAPR3MFQ/water+journal</image:loc>
      <image:title>Stories - Underneath our tree…</image:title>
      <image:caption>TUNDRA by Satsuki Shibuya Watercolor and colored pencil on paper | 2018. These new works by the artist Satsuki Shibuya are part of an emerging series Iro Wo Kiku (Listening to Colors). A continuing exploration of movements, vibrations, rhythms, patterns and energies, Shibuya translates the unseen world of sound into visible shapes and colors. Questioning the role of belief systems in our own perceived realities, these works are a collection of studies, searches and examinations through observation.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://waterjournal.co/stories/manukau-heads</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-24</lastmod>
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      <image:title>Stories - Manukau Heads</image:title>
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      <image:title>Stories - Manukau Heads</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1550877913548-8PKE4V24VWAU07LYCHIM/Photo+09-05-2018%2C+03+49+18.jpg</image:loc>
      <image:title>Stories - Manukau Heads</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1550877917403-9OOJ2TLI74AZ07PNV3GL/Photo+09-05-2018%2C+03+57+10.jpg</image:loc>
      <image:title>Stories - Manukau Heads</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1550881952748-T8JZLTV0VW6RMK28HJO8/water+journal+manukau+heads+lighthouse</image:loc>
      <image:title>Stories - Manukau Heads - Manukau Heads</image:title>
      <image:caption>Travel, Architecture Photography &amp; words by Edvinas Bruzas Retracing the Lightkeeper’s steps up the 140 year old wooden staircase, I am greeted with a subtle breeze on the balcony that opens out to the mighty Manukau Harbour, sub-tropical Waitakere Ranges, Auckland city and Mount Taranaki (2518 m) to the south.</image:caption>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/palau-de-casavells</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1554306643272-TTRCAOF34A7OLNJH75O4/PalauCasavells-CarlaStep-03663.jpg</image:loc>
      <image:title>Stories - Palau de Casavells</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1554305526687-3R9VN5BMDOSKNW3LV95H/water+journal+palau+de+casavells</image:loc>
      <image:title>Stories - Palau de Casavells - Palau de Casavells</image:title>
      <image:caption>Art, Interior Design Photography &amp; words by Carla Step Located in a small village in el Baix Empordà, in the province of Girona, Palau de Casavells is a historic building whose origins date back to the fourteenth century. Fully restored, the space is home to the Galeria Miquel Alzueta in the catalan ampurdan, housed in a masia, a type of rural construction common to all the old Crown of Aragon. I discovered it last summer while exploring the tiny old town of Casavells that seemed to be the middle of nowhere. It’s quite unlikely one would ever come across it unless introduced by someone. Surprisingly that applies for the Catalans too but it’s truly one of the most magical towns I’ve ever seen in Catalonia. You can simply breath the authenticity of it when walking through the streets.</image:caption>
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      <image:title>Stories - Palau de Casavells</image:title>
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      <image:title>Stories - Palau de Casavells</image:title>
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      <image:title>Stories - Palau de Casavells</image:title>
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      <image:title>Stories - Palau de Casavells</image:title>
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      <image:title>Stories - Palau de Casavells</image:title>
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      <image:title>Stories - Palau de Casavells</image:title>
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  <url>
    <loc>https://waterjournal.co/stories/ashley-heather-wass-skin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1555276466726-DNXHGZA3LZ1N015YZWFK/MF5A5753-1400x933.jpg</image:loc>
      <image:title>Stories - Ashley Heather &amp;amp; Wass Skin - Ashley Heather &amp; Wass Skin</image:title>
      <image:caption>Photography by Lydia Harper Words by Ashley Heather &amp; Wass Skin Jewellery, Skincare, Fashion Ashley Heather I have always been inspired by both the majesty and understated beauty of this fragile blue green planet of ours. I believe in quality, honesty to materials and doing things differently. I believe companies can do more and be more. All ‘ashley heather’ jewellery is handcrafted in our Woodstock work+shop using precious metals reclaimed from circuit boards by a small refinery right here in South Africa. We care about every aspect of the craft and are constantly striving for the most sustainable studio practices from the manufacturing processes right through to the packaging. We craft every piece using age old silversmithing techniques combined with contemporary designs pared down to their essential qualities. The simplicity of the designs allows the material, craftsmanship and the wearer to shine.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1555276155565-F02Q6ZWNEIXIWS2SUWD0/MF5A6224-2.jpg</image:loc>
      <image:title>Stories - Ashley Heather &amp;amp; Wass Skin</image:title>
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      <image:title>Stories - Ashley Heather &amp;amp; Wass Skin</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1555276134253-TO2ZPGDTR7J4MY73GPTJ/MF5A6133-2.jpg</image:loc>
      <image:title>Stories - Ashley Heather &amp;amp; Wass Skin</image:title>
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      <image:title>Stories - Ashley Heather &amp;amp; Wass Skin</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1555276127917-NOZ5LDIOG2081J242JDD/MF5A5654-2.jpg</image:loc>
      <image:title>Stories - Ashley Heather &amp;amp; Wass Skin</image:title>
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      <image:title>Stories - Ashley Heather &amp;amp; Wass Skin</image:title>
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  <url>
    <loc>https://waterjournal.co/stories/the-shimmering-spectacle</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-08</lastmod>
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      <image:title>Stories - The Shimmering Spectacle</image:title>
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      <image:title>Stories - The Shimmering Spectacle</image:title>
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      <image:title>Stories - The Shimmering Spectacle</image:title>
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      <image:title>Stories - The Shimmering Spectacle</image:title>
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      <image:title>Stories - The Shimmering Spectacle</image:title>
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      <image:title>Stories - The Shimmering Spectacle - The Shimmering Spectacle</image:title>
      <image:caption>Architecture, Travel Photography &amp; words by Josh Boston The stark, towering structures amassed in metal and bustling busy streets sheathed in the city traffic make this concrete jungle a world-known treasure. Adrenaline flows as hastily as the transit system and the back-alleys and boroughs provide a myriad of mazes through which can become whimsically lost amidst inspirational avenues and artisan-attracting locations.</image:caption>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/yellow-nose-studio</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-24</lastmod>
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      <image:title>Stories - Yellow Nose Studio</image:title>
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      <image:title>Stories - Yellow Nose Studio</image:title>
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      <image:title>Stories - Yellow Nose Studio</image:title>
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      <image:title>Stories - Yellow Nose Studio</image:title>
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      <image:title>Stories - Yellow Nose Studio - Yellow Nose Studio</image:title>
      <image:caption>Design &amp; words by Yellow Nose Studio Photography by Bennie Julian Gay Every Yellow Nose design is a quest for the perfect balance between the organic and inorganic, the logical and emotional, hand craftsmanship and industrial design. The studio recently introduced their new N-02 collection bringing the lightness and playfulness of a breezy afternoon tea session to life using solid earth materials in a modern yet elegant way: wood for the pagoda box inspired furniture and a ceramic tea set inspired by the Mono-ha movement. The furniture allows you to flip, turn, pull, take apart and reconstruct but most importantly it allows you to discover and imagine. Hidden spaces in the the stools contain our nature-like inspired tableware with its texture imitating the grain on gravels. This is a collection of interdependency between our hardheaded materials and the gentle use of colour, creating a breath of calm and delightfulness.</image:caption>
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  <url>
    <loc>https://waterjournal.co/stories/london-craft-week</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1557329619875-EIL7TAC7BEDLATL4TDCG/water+journal+london+craft+week</image:loc>
      <image:title>Stories - London Craft Week</image:title>
      <image:caption>Living Colours An exhibition focusing on natural dyeing techniques and the age-old art of kasane, the creation of Japanese colour combinations. The exhibition shines a spotlight on the guardians of this tradition, the Yoshioka Dyeing Workshop, a 200-year-old family-run company based in Japan's ancient capital Kyoto. Enter a forest of colour and discover how poetry and literature are woven into this story, and continue to resonate with people in Japan to this day.</image:caption>
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      <image:title>Stories - London Craft Week</image:title>
      <image:caption>Lucille Lewin Lucille Lewin is joined in her studio by Victoria Gaiger and Tom Loxley, editors of rakesprogress magazine, to discuss her life and work. Known for her organic sculptures, Lucille’s work is in demand all over the world, but much of her inspiration derives from her reverence for the natural world she finds on her doorstep.</image:caption>
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      <image:title>Stories - London Craft Week - Art Relief series, SHAPES 1-6 by July Adrichem.</image:title>
      <image:caption>Beyond Paper For over 130 years, G . F Smith has been obsessed with the simple beauty and limitless possibility of paper. Today, they act as custodians of their founders remarkable legacy by making and curating the world’s finest paper collection. For London Craft Week, G . F Smith are partnering with MaterialDriven - a design agency and Material Library, to host an exciting and immersive exhibition in their emblematic London Show Space.</image:caption>
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      <image:caption>Processing Lichen Featuring bold, architectural forms, this new collection showcases Charlotte’s pioneering lichen patina finish inspired by organic fungi, in which layers of chemicals and pigments are applied to heated bronze to create a rich and expressive surface. The new capsule collection includes a high console table, low coffee table and wall mirrors presented alongside other makers’ works co-curated by Charlotte, creating a world of furniture, artworks and decorative accessories which are in dialogue with Charlotte’s unique centrepieces.</image:caption>
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      <image:title>Stories - London Craft Week</image:title>
      <image:caption>Scented Candle-Making Learn the art of candle making with Earl of East London at their flagship store, bonds. Kings Cross. Their travel-inspired scented candles have already transported us to the remote hills of Greece (‘Greenhouse’), late summers in mellow Lisbon (‘Viagem’), and an afternoon at the Palace of Versaille (‘Jardin de la Lune’). Now, to celebrate their latest Japanese bathing-inspired line, Earl of East London hosts a week of immersive hands-on workshops, as well as an exhibition with Japanese ceramic curators, Gallery Eclectic.</image:caption>
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      <image:title>Stories - London Craft Week</image:title>
      <image:caption>Wood An exhibition and talk showcasing six artists and craftsmen who use wood to handcraft contemporary pieces that traverse function, art and design. Exhibiting artists and craftsmen include: Ted Jefferis, Wycliffe Stutchbury, Luke Hope, Max Bainbridge, Abigail Booth and Jane Crisp. Through looking at the wider nature of practice in wood, the works on display examine the maker’s relationship to material and landscape – in particular that of the British tree and the way the forest and woodlands continue to influence artists and craftsmen working in the UK today.</image:caption>
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      <image:title>Stories - London Craft Week</image:title>
      <image:caption>Indigo Hands Located in Tokushima Prefecture, an area of Japan known for producing Awa indigo, BUAISOU does everything from indigo cultivation and creating dye to designing and making products. Alongside the installation of handmade and hand dyed flags, commissioned by Coal Drops Yard, the BUAISOU team is onsite hosting a series of dyeing workshops in KIOSK N1C.</image:caption>
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      <image:title>Stories - London Craft Week</image:title>
      <image:caption>Anatomē London's first ‘sleep bar’ offering bespoke sleep oils based on personal sleep challenges, led by master aromacologist Anastasia Brozler. Visitors are first guided through the ‘anatomē Sleep Map’, allowing the individual to react emotionally and subliminally through different presentations of form, colour, sound and texture. Then, during a ‘Sleep Consultation’, a choice of Somalian frankincense, Japanese seaweed or Roman chamomile is added to the base sleep signature oil, dispensed in store and personalised to requirements.</image:caption>
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      <image:title>Stories - London Craft Week - London Craft Week</image:title>
      <image:caption>Celebrating outstanding creativity and exceptional craftsmanship, London Craft Week returns to the capital for its fifth edition with over 240 established and emerging makers, designers, brands &amp; galleries from around the world. We kindly invite you to explore a few of our favourites: Bobby Mills Join woodworker Bobby Mills, who we had the pleasure of having a part of Volume 4°, as he brings his workshop to the New Road Residence. His handcrafted vessels and furniture are on show alongside a live demonstration of how he creates his pieces on a traditional woodturning lathe. Each piece Mills creates begins with a piece of wood that has been locally and sustainably sourced from conservation projects or windfall from one of the UK’s ancient woodlands. He works intuitively and seeks to engage with the natural lines and structures within the wood, whether it be in creating a vessel, stool or chair.</image:caption>
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      <image:title>Stories - London Craft Week</image:title>
      <image:caption>Iranian Rugs FRONT London presents award-winning rug maker Lila Valadan and a unique collection of rugs alongside the women’s handmade tools to create an experience – a small journey into a world where time passes gradually, where soft yellow colours are derived from the peel of pomegranate and deep browns from walnut shells. Lila believes in skilled crafts and trades. Her artisans are never pressured for time, because creativity and passion require room and freedom. The rituals that are applied today are the same as 100 years ago – a unique handcraft that has transcended generations.</image:caption>
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      <image:title>Stories - London Craft Week</image:title>
      <image:caption>Crafting Japan Kōgei is the Japanese culture of craftsmanship, which treasures the beauty of utilitarian objects made with natural materials. Watch artisans demonstrating these traditional skills, including futon making, knife making, dyeing, bamboo carving, urushi lacquering and metalworking, and learn how these ancient techniques have evolved.</image:caption>
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      <image:title>Stories - London Craft Week</image:title>
      <image:caption>Calling For Spring 67 York Street and the Aviary are honoured to be hosting the first major exhibition of work from Keqin Yan ever to be held in the UK. This collection is a unique look at an extraordinary treasure trove of work from a contemporary pioneer of the traditional medium of ink painting and calligraphy, studied and perfected over a career spanning five decades.</image:caption>
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      <image:title>Stories - London Craft Week</image:title>
      <image:caption>Scorched Curated by Sarah Myerscough, Scorched is an exhibition of scorched wood pieces by leading contemporary artists and designers. The traditional process of shou-sugi-ban, otherwise known as yakisugi, is a technique originating in Japan in the 18th century which involves the slight charring of the surface of wood. Although it carries a strong cultural significance, this exhibition comes from a clear Western perspective. Invited artists were asked to consider the process of scorching in their practice and how in turn that reflects upon the material.</image:caption>
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      <image:title>Stories - London Craft Week</image:title>
      <image:caption>The Varana Collective Curated by Sujata Keshavan, The Varana store will host a series of events, including a new exhibition of objects and furniture, to further express her vision for the integrity for Indian craft traditions, craft-based production and the handmade. The in-store exhibition is a show of six cutting edge design studios working in India and will include exquisitely made objects and furniture by Case Goods, Rooshad Shroff, Sandeep Sangaru, Neeru Kumar, Tiipoi and Material Immaterial.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1557322816935-OEKPWHA7KQAD7GE0EB89/water%25252Bjournal%25252Blondon%25252Bcraft%25252Bweek</image:loc>
      <image:title>Stories - London Craft Week</image:title>
      <image:caption>Stack: Paul Smith and 1882 Ltd. Paul Smith partners with design-driven ceramics brand 1882 Ltd. to present unique objects made of fine bone china, which highlight the industrial heritage craft skills of Stoke-on-Trent and subvert the norm.</image:caption>
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      <image:title>Stories - London Craft Week</image:title>
      <image:caption>Warp Threads of Wispy Paper Commissioned by Aesop, local artist Isobel Napier created a newsprint-based installation for their newest London space in Coal Drops Yard. Applying the emergent craft of computer-controlled laser-cutting to the ancient medium of printed paper, Isobel creates fragile works of extreme delicacy, evocative of frayed fabric and just short of losing all structural integrity. For this project, she fed her cutting machine old editions of Aesop’s literary publication, The Fabulist, irreversibly transforming the solid pages into something far less stable.</image:caption>
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      <image:title>Stories - London Craft Week</image:title>
      <image:caption>Woven Waste Battersea Power Station hosts a large-scale immersive installation by Monica Cass of par-avion co. &amp; Claire Potter of Claire Potter Design. The two designers combine their eco-conscious design ethos to transform construction waste from the neighbouring site into an intricately woven structure, reminiscent of the handwoven seats from par-avion co.’s sustainable furniture range. The resulting piece acts as a commentary on the inevitable contribution of construction waste to landfills and highlights sustainable efforts of Mace Group to reduce this impact with their ‘100% diversion from landfill’ commitment.</image:caption>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/looking-for-langston</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-19</lastmod>
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      <image:title>Stories - Looking for Langston - Looking for Langston</image:title>
      <image:caption>Film, History Looking for Langston, 1989. In celebration of the LGBT+ history month, we kindly invite you to join us on a poetic journey through Isaac Julien’s film Looking for Langston, breaking down traditional divisions between different art forms. The film explores Black, queer desire in a setting which has no clear time or place. It brings together poetry and image to look at the private world of the Black artists and writers who were part of the Harlem Renaissance in the 1920s. The film begins with a recording of a radio broadcast made in tribute to US poet and social activist Langston Hughes after his death in 1967. A cast of mourners gathers at an imagined version of Hughes’s funeral, with Julienplaying the part of the deceased poet in his coffin. The camera moves to a bar scene, set somewhere between a 1920s speakeasy and a 1980s nightclub. Men in black tie gather and tenderly partner up to dance or sit with a drink or cigarette.</image:caption>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/the-place-that-made-me</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-27</lastmod>
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      <image:title>Stories - The Place That Made Me</image:title>
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      <image:title>Stories - The Place That Made Me</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1574456493846-JWDLGSIBKJ2ZP4TZNPG0/water+journal+the+place+that+made+me+lydia+harper</image:loc>
      <image:title>Stories - The Place That Made Me - The Place That Made Me</image:title>
      <image:caption>Photography and words: Lydia Harper Location: Knysna, South Africa The effects of South Africa run deeper than the slight twang left behind in my English accent. My first visit was pivotal; a marker in my life with a distinct before and after. I ended up in Knysna by chance. With no expectations I stumbled into this small coastal town and felt as though I had found my place in the world. There was an energy that aligned with my own, in the people and the landscapes, and it has pulled me back time and time again. This is the place that changed me, that became a home and inspired a career.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1574463511340-EE2BHVYR9LNM3Q6J7TGI/Water-1591-b%26w.jpg</image:loc>
      <image:title>Stories - The Place That Made Me</image:title>
      <image:caption>In that sleepy town by the sea, I found a slower, more considered way of life. People had time for each other and they wanted to spend that time outdoors. Surrounded by ocean, forests and mountains, there was a shift in my own mindset and I gained an appreciation for nature that I never had before. Wild and intricate plants, crashing tides and animals from story books; it was a new world to me and I wanted to experience it all. The best days were the simple ones, those spent on dirt roads and empty beaches, or a slow morning and a river swim. I fell easily into the daily routine of going out to shoot at sunset. With a camera on the passenger seat, the windows down and my hand dancing through the salty air, those evening drives to the ocean were my sanctuary. I didn't know it at the time but that was the beginning of my journey as a photographer. Slowly I taught myself how to shoot, to look for textures, movement and light. I often miss the simplicity of those days, back when it wasn’t “work”, just a love of the process and a way to document my days. But I owe those landscapes everything, and know that my work will always be shaped by that time.</image:caption>
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      <image:title>Stories - The Place That Made Me</image:title>
      <image:caption>Water and seascapes have remained a recurring thread in my images but on a personal level those shorelines were an escape; restorative and calming they were my place for reflection and perspective. I know am not alone in feeling this, many of us speak of that intrinsic connection to water and its effects on our wellbeing and creativity. I spent a lot of my time alone on the road and found a certain beauty in discovering the area by myself. My endless missions to take photos lead me to places the locals had never heard of, to abandoned cabins, lost quarries and beaches they didn't recognise. I learnt the roads like the back of my hand and thought of those landscapes as though they were my own. Solo travel taught me to trust my instincts, to enjoy the solidarity and to build a relationship with a land and its people so far from my roots. I made lifelong friends and lost others along the way, fell in love and allowed it break me. Like the ebb and flow of the tide, some of those losses were gentle and easy on me, others crashed hard and pulled me under. Destructive but beautiful, I came out of it stronger; grateful for the lessons, the friendships and the memories</image:caption>
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      <image:title>Stories - The Place That Made Me</image:title>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/the-art-relief-series</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-11</lastmod>
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      <image:title>Stories - The Art Relief Series</image:title>
      <image:caption>Inspired by old plaster reliefs that I had been experimenting with in the past, I started researching shapes, materials and (non) colours. For the Relief series I did a study of shapes, drawings and sketches in many combinations. I drew several shapes on one big piece of paper and started cutting them into pieces. I wanted to create a personal puzzle, a playful Art series that could be mixed and matched by each individual’s imagination. The challenge was to keep those shapes simple. I puzzled for days to get what I felt was the right combination. And there they were; pieces of The Shapes series so far, both together and apart. A little bit later on, I discovered a combination of plaster and cotton fabric to create textured shapes on moulds. I also found out that this mixture got very firm when using layers. The amazing thing about this material is that it looks fragile, but in fact is pretty strong. To connect these layers, the cotton fabric-plaster combination is dipped into water, creating a sticky paste. Then, this layer dries for a while before I apply the next. After the last layer is put into place, the final work reveals the structure of the raw fabric underneath each layer, giving the piece it’s authentic look.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1574465274630-ENIJZUMQH7UPDNDNJHX8/image-asset.jpeg</image:loc>
      <image:title>Stories - The Art Relief Series - The Art Relief Series</image:title>
      <image:caption>Artwork, photography &amp; words: July Adrichem Shapes 1–6 is an abstract and playful series of reliefs. The individual shapes converge into one piece of Art, being together apart. The Shapes series will be extended with more variety in the future, in search of a composition that symbolizes life at the present time. Nothing ever stays the same, does it? It’s ever changing in perspective and composition, and certainly doesn’t get old. I’ve always been drawn to Abstract and Modern Art. Get this right: when Art looks simple, the process behind it usually isn’t at all. I believe that is exactly what Art’s about; exploring complexity and depth. Research and experiments give me so much good stuff to work with.</image:caption>
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      <image:title>Stories - The Art Relief Series</image:title>
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      <image:title>Stories - The Art Relief Series</image:title>
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      <image:title>Stories - The Art Relief Series</image:title>
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      <image:title>Stories - The Art Relief Series</image:title>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/glas-allt-shiel</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-22</lastmod>
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      <image:title>Stories - Glas-allt-Shiel - Glas-allt-Shiel</image:title>
      <image:caption>Photography and words: Richard Gaston Location: Cairngorms, Scottish Highlands This project documents the subject ‘Glas-allt-Sheil’ and its surrounding landscape over the four seasons. Glas-allt-Sheil is a bothy based in the Balmoral Estate (Cairngorms, Scottish Highlands), on the shores of Loch Muick to be precise. This bothy is owned by Queen Elizabeth II, however was built by Queen Victoria in 1868. She called it ‘Glassalt’, translating to ‘widow’s house’ where she would escape following the death of her husband, Albert, Prince Consort.</image:caption>
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      <image:title>Stories - Glas-allt-Shiel - water journal richard gaston glas allt shiel</image:title>
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      <image:title>Stories - Glas-allt-Shiel</image:title>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/bear</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-04</lastmod>
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      <image:title>Stories - BEAR</image:title>
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      <image:title>Stories - BEAR</image:title>
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      <image:title>Stories - BEAR</image:title>
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      <image:title>Stories - BEAR</image:title>
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      <image:title>Stories - BEAR</image:title>
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      <image:title>Stories - BEAR</image:title>
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      <image:title>Stories - BEAR - BEAR</image:title>
      <image:caption>Photographer &amp; Art Director: Benjamin Holtrop Model: Yada Viklleret, Wilhelmina Models New York Hair &amp; Make-Up Artist: Stephanie Sznicer Founded by Sammy Leetham and Saasha Burns, BEAR is disrupting the current beauty and wellness landscape. Guided by their respect for simplicity, design and function, the modern Australian lifestyle brand brings together a portfolio of Essential Daily Vitamins and Essential Daily Superpowders. Each product contains highly activated, bio-available ingredients of a therapeutic level to ensure nutrients are readily absorbed by the body. Australian owned and made, BEAR carefully sources ingredients from around the world and takes pride in researching and producing each product with great care and integrity. All products are vegan friendly, gluten free, GMO free and have not been tested on animals.</image:caption>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/new-works-a-study-001</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-27</lastmod>
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      <image:title>Stories - New Works: A Study 001 - Water Journal New Works A Study 001 Blæhr Vase</image:title>
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      <image:title>Stories - New Works: A Study 001 - Water Journal New Works A Study 001 Blæhr Vase</image:title>
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      <image:title>Stories - New Works: A Study 001 - Water Journal New Works A Study 001 Blæhr Vase</image:title>
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      <image:title>Stories - New Works: A Study 001 - Water Journal New Works A Study 001 Blæhr Vase</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1576072110382-X9H973EJT464OK39HJGZ/Water+Journal+New+Works+A+Study+001+Bl%C3%A6hr+Vase</image:loc>
      <image:title>Stories - New Works: A Study 001</image:title>
      <image:caption>A Study 001 begins its journey on the outskirts of Copenhagen. Surrounded by the smell of steaming hot glass against timber moulds - the relentless heat of the furnace, you will find the master glass blower Anders Raad hard at work. His workshop stands as a reminder of the once thriving industry within Denmark. While other artisans have dissipated, Anders’ unique understanding of glass allows him to remain relevant and revered in the industry today. A Study 001 brings together Anders Raad with up and coming Danish designer Linnea Ek Blæhr. With Anders being a family friend of Linnea’s parents, their friendship is a testament to the power of close collaboration. An understanding of each others role; the designer to challenge the artisan, the artisan to assist and advise – ultimately bringing to life a truly special object.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1576072370043-TDHZX36JPMLAQ9BQKHDU/Water+Journal+New+Works+A+Study+001+Bl%C3%A6hr+Vase</image:loc>
      <image:title>Stories - New Works: A Study 001</image:title>
      <image:caption>The Blæhr Vase tests the boundaries of mouth blown glass with a timber moulded form that grows with each edition. An organic object that pushes and pulls the hot glass to take a unique and irregular form. Reflections hit the undulating exterior of the vase; complete with bubbles and streaks lifted from the timber mould, to create a centrepiece with depth and character. “The first in our A Study series, the Blæhr Vase reminds us of why we founded New Works. A love of mind and material united, the artisans hand and the honesty of quality craftsmanship. The series presents a safe space to challenge the industry and to follow our passions.”</image:caption>
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      <image:title>Stories - New Works: A Study 001</image:title>
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      <image:title>Stories - New Works: A Study 001</image:title>
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      <image:title>Stories - New Works: A Study 001 - New Works: A Study 001</image:title>
      <image:caption>Designer: Linnea Ek Blæhr Artisan / Glass Blower: Anders Raad Creative Director: Knut Bendik Humlevik Photographer &amp; Videographer: Anne-Sophie Rosenvinge New Works, a Copenhagen based design house, has spent the past five years refining a collection of sculptural objects built on their core values and focused on honest materials paired with expert craftsmanship, alongside experimental production techniques that retain the tactility of each material. “To take this even further, we seek to discover what these values mean to us away from the push and pull of the industry, the sales figures and production lines. To focus on what makes honest objects truly special.”</image:caption>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/anima-memorial-service</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-28</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1577022910427-6Y7NBEGCKE46V1JI05M0/Water+Journal+Anima+Memorial+Service+Kosuke+Araki</image:loc>
      <image:title>Stories - Anima - Anima</image:title>
      <image:caption>Concept, Design, Research and Development, Production: Kosuke Araki Anima - Memorial Service is a series of tableware handcrafted from food waste and Urushi, Japanese lacquer, for rethinking our relationship with nature. Through continuous experiments of the Anima project, it has got several different finishing options depending on preferences: using powder of carbonised waste makes the result complete black. On the other hand, using non-carbonised one, which is just powder of dried waste, results in very dark brown (almost black) due to oxidisation of Urushi and shows brighter brown when exposed to strong light like sunlight. 'Ingredients' can be varied: if you are vegetarian or vegan, they can be made without including any materials derived from animals. One of the ideas lying behind this project is tribute to 'wasted’ lives of vegetables and animals. That is why, this tea or coffee service is named ‘memorial service.’</image:caption>
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      <image:title>Stories - Anima</image:title>
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      <image:title>Stories - Anima</image:title>
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      <image:title>Stories - Anima</image:title>
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      <image:title>Stories - Anima</image:title>
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      <image:title>Stories - Anima</image:title>
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      <image:title>Stories - Anima</image:title>
      <image:caption>Food is not a thing but life. We eat life for our existence. However, for lack of appreciation, we 'consume' life at a huge industrial scale as well as a small domestic scale, disposing of it in landfills. While developing this project, Kosuke kept a record of amounts of food waste produced from his house, only including non-edible parts such as rind, peel, calyxes, shells and bones. Their blackness derives from their body material, charcoal of vegetable waste. Mixture of the charcoal, some animal materials and Urushi is moulded into a shape. The addition of Urushi gives a polish as well as practical strength. Historically, Urushi craft has a close relationship with food – leftovers of a meal. For example, rice, tofu or albumen is mixed with Urushi to adjust its viscosity for making sticky glue or textures. Kosuke revisits this food-related aspect in a contemporary context, making the collection entirely from wasted food. Like the cremation of the body, the 'waste' is carbonised and reincarnated into something else, showing that what is often regarded as 'ugly' can be turned into something beautiful and precious. Kosuke hopes this project serves an opportunity of reflecting consumers' habits of daily consumption. Would serving food on these tableware help consumers to be re-aware of what they are consuming is 'life'?</image:caption>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/ladies-pond</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-29</lastmod>
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      <image:title>Stories - Ladies Pond</image:title>
      <image:caption>Each ‘bather’ is made from tulip wood which is hand-turned before being individually finished by hand with a stone composite. The stools, which range in height from 65cm to 75cm, are then topped with a cushioned layer made from a textured wool and cotton bouclé cloth from London-based textile studio, Tibor’s, Wellington collection. "Exploring form, material and an emotive response was at the forefront of designing these sculptural stools," added von Stein. "We worked with fantastic craftsmen to master the challenging art of curves, resulting in a free-flowing and tactile nature."</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1577551851280-38GMDQFQZEGTLIIMZ32L/Water+Journal+Ladies+Pond+Sella+Concept</image:loc>
      <image:title>Stories - Ladies Pond - Ladies Pond</image:title>
      <image:caption>Design: Sella Concept Photography: Genevieve Lutkin The ‘Ladies Pond’ collection, created by a London design studio Sella Concept, comprises of three curvaceous stools, Bather 1, 2 and 3, in the shade of the pond’s jade-green, mossy waters, in tribute to Hampstead’s ladies pond’s vivacious women. The studio headed by Tatjana von Stein and Gayle Noonan has previously created bespoke furniture for many of its interior design projects, but the bar stools are its first commercially available products. "Our motivation surfaced as a result of a gap in the market for a unique and stylish bar stool – an item that we've repeatedly struggled to find," explained Noonan. "We love the idea that a piece of furniture can live a lifetime in a house. Introducing a Sella piece that has longevity in a home or commercial space is a beautiful idea for us."</image:caption>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/studio-edward-collinson</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-31</lastmod>
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      <image:title>Stories - Studio Edward Collinson - Studio Edward Collinson</image:title>
      <image:caption>Design: Studio Edward Collinson Styling: Hannah Franklin Photography: Simon Bevan From the North London studio and workshop, set up in 2015, Studio Edward Collinson design and build everything while embracing old and new, combining traditional craft and modern engineering, classic functionality and modern materials. The new year brings a distinct vision to the brand, expanding an existing collection and refining ambitions in both kitchen design and furniture design alike.</image:caption>
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      <image:caption>The latest edition of The Broad is a temple to craftsmanship. Made from the finest heart oak and handcrafted in our London workshop, The Broad is suitable for use in a wide range of interiors as a freestanding island or wall standing unit. With an integrated extractor removing the need for a cooker hood and its generous size The Broad is a statement piece for any space. Ebonised oak exterior, natural oak interior, black Paperstone coutertop, black sink and tap, black induction hob with downdraft extraction. The smaller edition of the Note Table is designed with the same simple and bold proportions. It features a solid wood coopered base and solid wood top, built from the finest material and handcrafted to last a lifetime. The larger edition of the Low Back Chair barstool is a testament to simplicity and craftsmanship, handturned on a traditional wood lathe from a deep walnut. It is constructed with split tenon joinery and finished with wood oil.</image:caption>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/yellow-nose-studio-n-04</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1583854729845-2VMIYAQBYYKABFV1DL3D/Water%2BJournal%2BYellow%2BNose%2BStudio</image:loc>
      <image:title>Stories - Yellow Nose Studio: N-04</image:title>
      <image:caption>Rectangular slabs and plinths form the foundational component of each object: Two lounge chairs, a floor lamp and three vases form the building blocks of a living space intended for contemplative solitude. Resolute in their solidity, they set a tone of reassuring consistency — steadfast as pillars, they are anchor points between which the body pivots and pauses. Materiality is integral to N-04. The malleable characteristics of each material — plaster, wood, clay — are brought to the fore. Coatings are natural, textural inconsistencies are respected, and finishes, in the case of the vases, are left to chance. Traditional construction techniques originating in the designers’ Taiwanese heritage and Japanese influences are reinterpreted together with the ceramicist Jui-Chu Wang and design studio Kreadiano Objects. Commanding in their presence, N-04’s objects have a graphic, geometric air, creating the illusion of a two-dimensional image when viewed face on. This effect is captured in a black and white editorial series by the photographer Bennie Julian Gay, who has cast each of Yellow Nose Studio’s previous collections in a contemplative light.</image:caption>
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      <image:title>Stories - Yellow Nose Studio: N-04 - Yellow Nose Studio: N-04</image:title>
      <image:caption>Design: Yellow Nose Studio Photography: Bennie Julian Gay Words: Anna Dorothea Ker With collection N-04, Hsin-Ying Ho and Kai-Ming Tung of Yellow Nose Studio draw on their backgrounds in architecture to inform a new aesthetic direction. Proportion and scale take on bolder dimensions, experiments in material treatments lead to unexpected patinas, and collaborations with likeminded designers initiate new visual dialogues. Yellow Nose’s trademark poeticism, fine-tuned balance and appreciation of tactility imbue the six objects comprising N-04 with a certain gravitas.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Stories - Yellow Nose Studio: N-04</image:title>
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  <url>
    <loc>https://waterjournal.co/stories/howard-tangye</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-08</lastmod>
    <image:image>
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      <image:title>Stories - Howard Tangye - Howard Tangye</image:title>
      <image:caption>Photography &amp; words: Adam Rogers Artist: Howard Tangye Featured in Volume 5°</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1585241455999-G2O3VOCJ4N73F1V5XADT/Howard+Edit.jpg</image:loc>
      <image:title>Stories - Howard Tangye</image:title>
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      <image:title>Stories - Howard Tangye</image:title>
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      <image:title>Stories - Howard Tangye</image:title>
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      <image:title>Stories - Howard Tangye</image:title>
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      <image:title>Stories - Howard Tangye</image:title>
    </image:image>
    <image:image>
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      <image:title>Stories - Howard Tangye</image:title>
      <image:caption>An old apron hangs from the corner of his door depicting the same distinct colours of his works but instead offer a smudged version around the pocket. It has come up in a few conversations as of late, people who live in their homes reflecting that of their doings in their professional lives. Tangye is an archetype of that. A man who embodies an artistic approach with all that he does and collects. It was a huge privilege to capture his personal space that I now share with the readers of this magazine.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://waterjournal.co/stories/blooming-art</loc>
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    <lastmod>2020-04-08</lastmod>
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      <image:title>Stories - Blooming Art</image:title>
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      <image:title>Stories - Blooming Art</image:title>
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      <image:title>Stories - Blooming Art</image:title>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/the-slow-grind</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-29</lastmod>
    <image:image>
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      <image:title>Stories - The Slow Grind - The Slow Grind</image:title>
      <image:caption>Edited by Georgina Johnson Independently Published by The Laundry arts Available for pre-order here.</image:caption>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/future-past</loc>
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    <lastmod>2020-10-29</lastmod>
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  <url>
    <loc>https://waterjournal.co/stories/category/Jewellery</loc>
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  </url>
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    <loc>https://waterjournal.co/stories/category/Art</loc>
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    <loc>https://waterjournal.co/stories/category/Architecture</loc>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/category/Film</loc>
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  </url>
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    <loc>https://waterjournal.co/stories/category/Craft</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://waterjournal.co/stories/category/Fashion</loc>
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    <loc>https://waterjournal.co/stories/category/Product</loc>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/category/Skincare</loc>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/category/Furniture</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://waterjournal.co/stories/category/Ceramics</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://waterjournal.co/stories/category/History</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://waterjournal.co/stories/category/Design</loc>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/category/Brand</loc>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/category/1</loc>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/category/Travel</loc>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/category/Interior+Design</loc>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/category/Essay</loc>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/tag/Cydney+French</loc>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/tag/Toby+Mitchell</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://waterjournal.co/stories/tag/Naomi+Hill</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://waterjournal.co/stories/tag/James+Aiken</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://waterjournal.co/stories/tag/Rebecca+Ley</loc>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/tag/Kim+H%C3%B8ltermand</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://waterjournal.co/stories/tag/Axel+Sigur%C3%B0arson</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://waterjournal.co/stories/tag/David+Alvarado</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://waterjournal.co/stories/tag/Nicole+Patel</loc>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/tag/Matthew+Johnson</loc>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/tag/Stephanie+Draime</loc>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/tag/James+Miller</loc>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/tag/Eduardo+Cerruti</loc>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/tag/Nirit+Gur+Karby</loc>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/tag/Edvinas+Bruzas</loc>
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  </url>
  <url>
    <loc>https://waterjournal.co/stories/tag/Mitchell+Hollander</loc>
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  </url>
  <url>
    <loc>https://waterjournal.co/volume-five</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2020-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1541103028022-V71B5LQRACEQLDT1HE48/water-journal-volume-five-1.jpg</image:loc>
      <image:title>Volume 5°</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1541106150352-GP9KEL3NVWT2LUJBEY8A/water-journal-volume-five-6.jpg</image:loc>
      <image:title>Volume 5°</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1541103951058-7RPKJEKRQO5WTLJN7ANZ/water-journal-volume-five-2.jpg</image:loc>
      <image:title>Volume 5°</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1541105430582-PBL46UZK8LANHS88WC3S/water-journal-volume-five-4.jpg</image:loc>
      <image:title>Volume 5°</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1541109717404-R7FHVO5R7LF04WOENRHK/water-journal-volume-five-13.jpg</image:loc>
      <image:title>Volume 5°</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1541164167652-5PFCG0RP41ZHEAVFJDOP/water-journal-volume-five-14.jpg</image:loc>
      <image:title>Volume 5°</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1541108577138-HZYJSBOF4P8GM0UV9U68/water-journal-volume-five-11.jpg</image:loc>
      <image:title>Volume 5°</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1541108274673-1PC1NZT8OW1HWO4IORPI/water-journal-volume-five-10.jpg</image:loc>
      <image:title>Volume 5°</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1541106621181-12UHM8DIQ52VIB52MS0J/water-journal-volume-five-7.jpg</image:loc>
      <image:title>Volume 5°</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1541107597858-I7484F21JZ0ZVAS2C591/water-journal-volume-five-9.jpg</image:loc>
      <image:title>Volume 5°</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1541105808975-639GCIOOP3SOVYW891T4/water-journal-volume-five-5.jpg</image:loc>
      <image:title>Volume 5°</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1541100048880-2MLUDFHPANPK7OQA1CXF/water-journal-volume-five-0-test-5.jpg</image:loc>
      <image:title>Volume 5°</image:title>
      <image:caption>From the tranquil nature of wild swimmers to arrivals and departures reminiscing new chapters of life and a sit down with artist Howard Tangye, we invite you to explore captivating stories from all around the world. Volume 5° features a visit to Tidal Pools by Álvaro Siza in Portugal, a trip to Hong Kong to explore one’s identity and misinterpreted heritage, a solo adventure through a coastal town in South Africa to build a relationship with the land and its people, an interview with an Australian lifestyle brand disrupting the current beauty and wellness landscape, and many more stories by talented contributors who made it come to life. Cover photography by Lydia Harper.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1541419435581-V99M95VGA6UK696DLS1Z/water-journal-volume-fivejpg</image:loc>
      <image:title>Volume 5° - Volume 5°</image:title>
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      <image:title>Volume 5° - Volume 4° Ltd. Edition</image:title>
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    </image:image>
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      <image:title>Volume 5° - Volume 3°</image:title>
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    </image:image>
    <image:image>
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      <image:title>Volume 5° - Volume 2°</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1541170053077-VBWBJ1GP71ACJ3EUUFXH/water-journal-volume-one.jpg</image:loc>
      <image:title>Volume 5° - Volume 1°</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/573f9d2b7da24f40d74be40c/1541418955765-7WSRXI5KT3JUB5XZFYBJ/.JPG</image:loc>
      <image:title>Volume 5°</image:title>
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    <image:image>
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      <image:title>Volume 5°</image:title>
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  </url>
  <url>
    <loc>https://waterjournal.co/launching-soon</loc>
    <changefreq>daily</changefreq>
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